James Tenney AKA James Carl Tenney Born: 10-Aug-1934 Birthplace: Silver City, NM Died: 24-Aug-2006 Location of death: Valencia, CA Cause of death: Cancer - Lung
Gender: Male Race or Ethnicity: White Sexual orientation: Straight Occupation: Composer, Scholar Nationality: United States Executive summary: A History of 'Consonance' and 'Dissonance' Music theorist, perhaps best known for his electroacoustic pieces, which include Collage #1 (Blue Suede) (1961), an intricate collage of Elvis Presley's rendition of the Carl Perkins song "Blue Suede Shoes", and For Ann (Rising) (1969), a long piece demonstrating a Shepard tone, the auditory equivalent of the persistence of motion illusion (say, a spiraling barbershop pole), in which a sound is perceived to be steadily rising in pitch. Wife: Lauren Pratt
University: Engineering, University of Denver (1952-54) University: Juilliard School of Music (1954-55) University: BA, Bennington College (1958) University: M.Mus, University of Illinois (1961) Professor: California Institute of the Arts (1970-75) Professor: University of California at Santa Cruz (1975-76) Professor: York University Toronto (1976-2000) Professor: Music Composition, California Institute of the Arts (2000-06)
Fluxus James Tenney
Author of books:
META/HODOS: A Phenomenology of 20th-Century Musical Materials and an Approach to the Study of Form (1961, music theory) META Meta/Hodos (1975, music theory) John Cage and the Theory of Harmony (1984, music theory) A History of 'Consonance' and 'Dissonance' (1988, music theory)
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